The results with Content-Aware Fill are not always what you expect. The content you create tends to talk about how you just started, what you hope to achieve, the process of content creation and what you’re discovering about it, and open ended questions. Part of the flower's center is now sticking out to the side. 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', Content-Aware Fill in Photoshop is useful when removing objects from a scene. Photoshop simply filled the selection with random parts of the wall. Let start by locating the Content-Aware Fill tools we’ll be using. But I can control the choice in the righthand panel. I’ll talk about these more later in the article. Using the Lasso Tool to add to the main selection. Click Return or the checkmark in the Option bar to accept any changes. And to see how they work, we'll look at a few different images: The first option, Color Adaptation, lets Photoshop adjust the brightness and contrast of the filled area to better match its surroundings. The Patch tool allows you to select replacement pixels. I'll paint over the woman in the center. The Content Aware Move tool allows you to choose an element to transfer from one photo to another, placing it seamlessly so that it looks like it naturally belongs. This is the sampling area overlay and it represents the area that Photoshop can sample image detail from. The result with Color Adaptation set to None (left), Default (center) and Very High (right). With every version of Photoshop, these tools become more powerful. Draw a loose lasso around the object you want to move. In Photoshop, content-aware features make automatic edits such as seamlessly blending the edges of retouched image areas. The workspace adds powerful features that offer complete control over which "good" parts of the image are used to replace the unwanted areas. The overlay shows the current sampling area. Refining the sampling area will give me better results. Content Aware Solutions Inc. 67 Mowat Ave Suite 112. As in the previous 2 examples, go to Edit>Fill and choose Content Aware in the drop-down menu. We'll see what that looks like in a moment: Then to apply your current fill, click the Apply button in the bottom right corner: Once the fill has been applied, you can select a different unwanted area to remove it. Photoshop selects pixels around the object that might work in the space. The best selection tool for the job is the Lasso Tool, so I'll grab it from the toolbar: Then I'll draw a rough selection outline around the woman on the left. Select the layer and click the Content-Aware Move tool. If my selection is on an angle, I may want to apply a rotation adaptation. So I'll draw a selection outline around the general area where the missing part should be. Photo credit: Adobe Stock. But since you'll spend most of your time removing areas from the overlay, the keyboard shortcut is faster: After a change is made in the work area, the Preview panel can take time to fully update, especially with larger images. If you don't like the results in the Preview panel, just press Ctrl+Z (WIn) / Command+Z (Mac) on your keyboard to undo it and return to the previous selection: New as of Photoshop CC 2020, the Content-Aware Fill workspace now lets you apply your current fill without closing the workspace, so you can continue removing other unwanted areas from the image. So far, we've covered the basic steps for removing unwanted objects with Content-Aware Fill. In my case, the woman on the left has been completely removed from the photo, and the rough patch of grass and dirt between the remaining two people has been cleaned up: But in the Layers panel, notice that the fills were not applied directly to the image. Written by Steve Patterson. Press the keys repeatedly to undo multiple steps. The Hand Tool and the Zoom Tool can be used in both the work area and the Preview panel: Above the work area is the Options Bar. Selecting the ladybug to remove it. Then simply paint over an area to remove it from the sampling area. You can group tools in a way that makes sense to you. Some are more blurred. For smoother areas, try High or Very High: The second option in the Fill Settings is Rotation Adaptation. This lets Photoshop rotate the contents in the filled area, useful when removing an object from an area with curved or rotating patterns. In my case, Photoshop replaced the repeating detail with a blob of random pixels: If you or Photoshop make a mistake, simply undo your last step by going up to the Edit menu in the Menu Bar and choosing Undo. I focused on this tool for removing blemishes in a portrait in my article on “How to Smooth Skin in Photoshop”. First introduced in Photoshop CS5, the Content-Aware Fill analyzed the areas around a selection to figure out what pixels to generate to fill the selection and remove an unwanted object. I’ll show you how to change this in a minute. Both the Patch tool and the Content-Aware Move tools also have “structure” and “color” settings. The progress icons in the lower right of the Preview panel. Note that in Photoshop CC 2019, you can still select Content-Aware from the Fill dialog box. Lightroom has a Spot Removal tool, but Photoshop is still the leader in changing pixels. And inside the toolbar are four main tools to choose from, plus one hidden tool that we'll look at in a moment: At the top of the toolbar is the Sampling Brush Tool. If I don’t like the result, I simply undo it with Edit>Undo (Ctrl or ⌘Z). This will open up the Content-Aware Fill panel in your workspace. The warning icon means that you are currently seeing a low resolution preview while Photoshop continues to work on the high resolution version. Content Creator responsibilities include producing marketing copy to advertise our products, writing blog posts about industry-related topics and promoting our content on social media. The result with Rotation Adaptation set to None (left) and High (right). I moved a few people around in this photo taken in Varanasi, India to add more space. In a more complex image, I may want to increase the color adaptation. And if you click and hold on the Lasso Tool, you'll find the Polygonal Lasso Tool hiding behind it, bringing the total number of tools in the toolbar to five. © 2021 Photoshop Essentials.com.For inspiration, not duplication.Site design by Steve Patterson.Photoshop is a trademark of Adobe Systems Inc. Gaming companies that moderate user-generated game artifacts and chat rooms And after a few moments, a warning icon will appear beside it. I don’t want Photoshop to use these parts of the image as replacement pixels. So I'll remove it from the sampling area using the Sampling Brush Tool: Start by selecting the Sampling Brush Tool from the toolbar: Then with the Sampling Brush Tool active, change the size of your brush using the Size option in the Options Bar. Photo credit: Adobe Stock. By default, Photoshop automatically selects the sampling area. How to Remove Objects using Content-Aware Fill To remove an object from your photo using Content-Aware Fill, create a duplicate of the Background layer by dragging it onto the New Layer icon. Content Aware Scaling is an Adobe Photoshop tool used to create animated GIFs in which the subject is warped and distorted within the frame. Finally, I’ll show you the newest addition, the Content-Aware Fill workspace. Photo credit: Adobe Stock. For best results, stay close to the person or object but also keep a bit of space around them. When I release, Photoshop takes this suggestion and uses Content-Aware Fill to fit the new pixels into the space. I select Rectangle if I only want Photoshop to choose from the pixels around my selection. 'RealPlayer'], ['rmockx.RealPlayer G2 Control', This opens the workspace. I try to match up any obvious lines if I can. Moving objects to a different part of an image, or a different image, becomes easy with the Content-Aware Move tool. The work area is where we can make adjustments to our initial selection around the unwanted object, and where we tell Photoshop which areas of the image can be used to fill in the selection. An advanced algorithm powers Content-Aware Fill in Photoshop. Creating a new layer with each change is a good habit to get into. So now that we've taken a tour of the Content-Aware Fill workspace, let's get back to the image. But with Rotation Adaptation set to High (right), Photoshop was able to rotate the textures to match the rotation of the flower: The third option in the Fill Settings is Scale, which lets Photoshop resize the content in the filled area to better match the perspective of the surrounding textures. When I change these settings, Photoshop warns me that the results may be unexpected. You can also switch between Add and Remove mode from the Options Bar. One of the first tools I reach for when removing something from an image is the Patch tool. Specializing in Storage, Workflow and Archive solutions for content creators. All Rights Reserved. Here things look much better, but we can still see blotches just above the horizon. In this example, the tool did a pretty good job with filling in some of the content, but not so good with a few areas. 10 is the maximum. If this (or any other) section is closed, click the arrow next to the section's name to expand it: These options control the appearance of the sampling area overlay in the work area. When I’m happy with changes in the Preview panel, I click OK. By default, the selected area with the Content-Aware Fill changes are saved on a new layer. For color, I’m selecting how much color blending I want Photoshop to do. Check out our Photoshop Basics section for more tutorials! The Layers panel showing the fills on separate layers. So I'll select the ladybug, and then I'll open the image into the Content-Aware Fill workspace: With Rotation Adaptation set to None (left), the result looks terrible. Find an image to work with, open the latest version of Photoshop and let’s have some fun moving and removing! Photoshop's Content-Aware Fill command was designed to make removing unwanted objects or distracting elements from your photos as easy as possible. I'll also try removing the top of that wooden post to see if that makes a difference: And sure enough, the new result looks much better. Drawing a selection around the area that needs to be repaired. From left to right: New, Add, Remove, and Intersect with selection. From there, I use the sampling brush tool set to plus and paint the sampling area. This is where we select various options for whichever tool in the toolbar is currently active: And finally, to the right of the Preview panel is the Content-Aware Fill panel. It's still not perfect, but there's nothing a couple of minutes with the Clone Stamp Tool can't fix: By default, the Sampling Brush Tool will remove any parts of the image you paint over from the sampling area. It shows up in various tools throughout Photoshop but the technology behaves according to … The far-right panel gives me additional options. The work area (left) and Preview panel (right). have just stopped it to redo the track points in ae and only export out 5mins see how the content aware fill works Daniele says: 22 January 2014 at 12 h 19 min When you select the Patch tool, choose Content-Aware Fill in the Options bar. The effect is now complete for the people and the dog in the middle of the scene. If I don’t like the result, I undo the change. 'RealPlayer.RealPlayer(tm) ActiveX Control (32-bit)', The Content-Aware Move tool lets me move a selected object, integrates the object into its new home and patches the space left behind. 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